Sound Like Vikert: 2012

Thursday, December 6, 2012

Light Series 4

a. Type of luminaire: direct
b. Mounting type: ceiling suspended
c. Lamp type: pendant lamp
d. Manufacturer: Shenzhen Yoohun Opto-Electronic Co., Ltd.
e. Light distribution:
lamp luminous e ciency (lm/w): 98
lamp luminous ux (lm): 7840
f. Materials: aluminium and aluminium alloy
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as a teaching and working space for interior architecture students.
2. Purpose of the lighting: The lighting is designed to serve as overall lighting for the space.
3. Recommendations: For the purpose of lighting the overall space this lighting seems to work well.
4. Other luminaries in the space: Most of the students who use the space have task lighting on their desk to provide better lighting in their space.
5. Suggestions: n/a

Source: http://www.alibaba.com/product-gs/425900871/80w_led_pendant_light_ xture.html?s=p

a. Type of luminaire: indirect
b. Mounting type: ceiling hung
c. Lamp type: uplight
d. Manufacturer: Widearth Lighting Factory
e. Light distribution:
lamp luminous e ciency (lm/w): 87
lamp luminous ux (lm): 7680
f. Materials: bronze iron and frosted glass
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as an entryway into both the library and the Elliot University Center on campus. It also serves as a
small seating area for students socialize or study.
2. Purpose of the lighting: The lighting in this space is designed for overall lighting of the space.
3. Recommendations: Combined with the other lighting in the space this lighting design seems to work well for its purpose.
4. Other luminaries in the space: There is also recessed can lights in the space to add more light to the tables and walkways.
5. Suggestions: n/a

Source: http://www.alibaba.com/productgs/649694177/Matt_Bronze_Ceiling_Fixture_Pendant_Lamp.html

a. Type of luminaire: semi-indirect
b. Mounting type: wall mounted
c. Lamp type: wall sconce
d. Manufacturer: Vellince Lighting Company Ltd.
e. Light distribution:
lamp luminous e ciency (lm/w): 68
lamp luminous ux (lm): 7450
f. Materials: aluminium
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as a hallway connecting the Elliot University Center and the university library.
2. Purpose of the lighting: The lighting is designed to light the path of the hallway.
3. Recommendations: These lights do not quite light the space as well as it should be. They should probably be combined with other types
of lighting for a more e ective lighting quality.
4. Other luminaries in the space: These are the only luminaries in the space.
5. Suggestions: I would suggest adding other types of lighting to increase the lighting quality in the space.

Source: http://www.alibaba.com/product-gs/391335908/Aluminum_TC_D_26W_wall_light.html

a. Type of luminaire: semi-direct
b. Mounting type: free standing
c. Lamp type: table lamp
d. Manufacturer: DongGuan Tianhua Photoelectric Technology Co., Ltd.
e. Light distribution:
lamp luminous e ciency (lm/w): 53
lamp luminous ux (lm): 6538
f. Materials: ceramic base with cloth shade
g. Lensing: n/a
h. Shielding: n/a
i. Function: free standing and adjustable
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as a relaxation and socializing space for my apartment.
2. Purpose of the lighting: The lighting is designed to provide soft accent lighting in the space.
3. Recommendations: These lights work well for their purpose within the space.
4. Other luminaries in the space: There are also recessed can lights in the space.
5. Suggestions: n/a

Source: http://www.alibaba.com/product-gs/460946820/Home_decorative_Ceramic_Table_Lamp.html

a. Type of luminaire: direct
b. Mounting type: ceiling mounted
c. Lamp type: track lighting
d. Manufacturer: Foshan Nanhai Wei Jia Lighting Co., Ltd.
e. Light distribution:
lamp luminous e ciency (lm/w): 98
lamp luminous ux (lm): 1566
f. Materials: aluminium
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed track with adjustable lights
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as a display space for artwork in the Weatherspoon Art Museum Gallery.
2. Purpose of the lighting: The lighting is designed to accent and display the artwork within the space.
3. Recommendations: This lighting design works well for its given purpose.
4. Other luminaries in the space: There are recessed can lights used to light the overall space.
5. Suggestions: n/a

Source: http://www.alibaba.com/product-gs/257169575/metal_halide_track_light_ xtures_CE.html?s=p

a. Type of luminaire: direct
b. Mounting type: ceiling hung
c. Lamp type: track lighting
d. Manufacturer: Shenzhen City Apollux Optoelectronics Technology
e. Light distribution:
lamp luminous e ciency (lm/w): 90
lamp luminous ux (lm): 1000
f. Materials: aluminium
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed track with adjustable lights
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as a pin-up wall for interior architecture students in the Gatewood Studio Arts Building.
2. Purpose of the lighting: The lighting is designed to accent the pin-up wall and show anything upon it.
3. Recommendations: n/a
4. Other luminaries in the space: There are also pendant lights lighting the overall space.
5. Suggestions: n/a

Source: http://www.alibaba.com/product-gs/658683149/Best_seller_COB_led_track_light.html

a. Type of luminaire: indirect
b. Mounting type: inlaid in ceiling
c. Lamp type: slot lighting
d. Manufacturer: Jiangmen Brandon Lighting Co., Ltd.
e. Light distribution:
lamp luminous e ciency (lm/w): 78
lamp luminous ux (lm): 1654
f. Materials: aluminium
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as an entryway into the music building on campus
2. Purpose of the lighting: The lighting is designed to light the space and accent the entryway.
3. Recommendations: I think that the lighting could have been better designed and that another type of luminarie should have been used.
4. Other luminaries in the space: This is the only type of lighting in the space.
5. Suggestions: I would have used another type of recessed lighting such as cove lighting or recessed can lights to illuminate the space
rather than using slot lighting.

Source: http://www.alibaba.com/product-gs/617643790/Modern_Louvered_Industrial_Strip.html

a. Type of luminaire: direct
b. Mounting type: recessed ceiling lights
c. Lamp type: accent lighting
d. Manufacturer: Foshan TOSEO Lighting Factory
e. Light distribution:
lamp luminous e ciency (lm/w): 75
lamp luminous ux (lm): 1432
f. Materials: aluminium
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space is an area where plaques honoring certain people are displayed in the music building.
2. Purpose of the lighting: The lighting is designed to accentuate the information displayed on the plaques.
3. Recommendations: n/a
4. Other luminaries in the space: n/a
5. Suggestions: This type of lighting is successful for its given purpose.

Source: http://www.alibaba.com/productgs/62601790/halogen_die_casting_aluminium_ceiling_light.html?s=p

a. Type of luminaire: indirect
b. Mounting type: inlaid in ceiling
c. Lamp type: cove lighting
d. Manufacturer: Dongguan Solar Optronics Co. Ltd.
e. Light distribution:
lamp luminous e ciency (lm/w): 80
lamp luminous ux (lm): 1530
f. Materials: aluminium
g. Lensing: n/a
h. Shielding: n/a
i. Function: xed
j. Ballasts/drivers/transformers/dimmers: n/a
k. Environment
1. Purpose of the space: This space serves as a lobby space for a restaurant and a hotel.
2. Purpose of the lighting: The lighting is designed to light the space and accent the ceiling decoration.
3. Recommendations: I think this lighting is successful in this space.
4. Other luminaries in the space: There are also recessed can lights used in the space.
5. Suggestions: n/a

Source: http://www.alibaba.com/product-gs/642634452/t5_cove_light.html?s=p

Saturday, December 1, 2012

Sound Series 1

The Gatewood Studio Arts Building was designed poorly for acoustics as far as educational purposes are concerned. This map represents the 2nd floor of the building and the sound levels during a "quiet" period of the day. Most of the space is open with hard materials which do not absorb the sound reverberation, making the space loud and causing noise to echo throughout the entire space. The second floor is open to the first floor lobby space allowing for noise from the busy lobby area to echo throughout the second floor. The two spaces that are most acoustically sound are the lounge space and classroom 204. This is due to the use of softer materials throughout the space that provide high sound absorption. There are also acoustical panels hidden in the coffered ceiling in 204, but unfortunately the panels do not continue throughout all the coffered ceilings on this floor so their benefit isn't throughout the entire space.

Contemporary acoustical panels are made of a variety of materials, textures, and colors. For example, the fabric acoustical panels located as the pin-up board on the third floor of Gatewood and also located in classroom 204 on the second floor. For the second floor of Gatewood building more pin-up fabric panels throughout the entire space would help reduce sound reverberation. Also, acoustical panels continuing throughout all the ceiling coffers would absorb noise echoing through the open lobby space. Maybe even some textured acoustical panels would be beneficial throughout the space while at the same time providing nice aesthetics because, we all are design students in this building and love nice aesthetics. Below are some links to some acoustical panels provided by some well-known manufacturer.

http://www.armstrong.com/commceilingsna/article64305.html

http://www.acousticalsurfaces.com/fabric_panel/fabric-wrapped-wall-panels.html

http://www.acousticsfirst.com/diffuser-art-diffusor.htm

Wednesday, October 3, 2012

Solar Decathlon Team 5 Presentation

The following was my team's presentation to Team Tidewater Virginia for their consideration during their interior design planning. Along with this presentation we provided a booklet which included additional drawings, plans, and sections that are not included here. This presentation was weeks in the making and for our efforts Team Tidewater Virginia and our professors chose our team's concept for the class to develop further for a final design.

Light Series 1


8-31-12 9am As in each of the following studies the subject was the far wall where most of the light from the window hits. This window is North facing and so it receives diffused light, especially at this time of the day. For this study the brightest point was in the middle of the wall and gradually darkened toward the extremities.

9-8-12 9am On this day the sky was overcast and dim. This reflects on the interior light by being even more diffused and dimmer.

9-21-12 9am As the season moves on the lighting becomes dimmer in the earlier hours of the day. This dimming also effects the position of the bright spot on the wall which moves toward the right side when dim and the left when bright.

10-3-12 9am Here again we see the gradual progression into the season.

10-3-12 12pm This study was the brightest of them all being at noon time. The bright spot covers almost the entire wall and darker areas are harder to come by.

10-3-12 3pm At this time the study was similar if not almost exact to the 9am study. The reason being that it is on the direct opposite side of the noon time cycle.

10-3-12 6pm For this final study we find the time of day in this season to be rather dark. Not to mention that the weather outside was also gloomy and added to that condition. Little to no bright spot can be seen here.

Light Series 2

Gallery Space

Restaurant Space

Retail Space

Sunday, September 23, 2012

Light Series 3

For this light series I chose Daylight, Compact Fluorescent, HID High-Pressure Sodium, Fluorescent, and Mr-16 to compare my fabric samples with. I wanted to use fabrics with different colors, patterns, and textures in order to get the various changes on camera.

Daylight obviously had the best color range and really brought out the the hues in all of the fabrics. The brightness of it also had the added affect of bringing out the textures fairly well. I consider daylight to be the standard at which the other sources can be compared to.

The CFL lighting was warm and gave a golden tone to the fabrics. The green and yellow rendered well within this light, but the red and blue were change from their original hue.

The street light with HID Sodium lamps applied the most dramatic visual affliction to the fabrics. Everything appeared either orange or a sickly yellow. Needless to say high-pressure sodium lighting is not suitable for visual clarity in design.

These particular Fluorescent lamps had a white light a bit on the warm side. It rendered the colors just alright on the fabrics, but not as well as daylight. Also for some reason the blue swatch gained an orange appearance under this lighting.

The Mr-16 lighting was strong and bright, but it left the colors in the fabric washed out. This source would be appropriate if the need was simply to illuminate and colors were not important, but as designers colors should always be considered important in an interior space.

Saturday, September 22, 2012

Interior Light Model: Mixing Light

Light Mixing

Light Bo

The principle behind our light box was to create an area that displayed the primary colors of light, the secondary colors of light, and also white light at the same moment. We were able to accomplish this by setting up barriers which restricted the path of our light sources (red, green, and blue lamps) so that they interacted and mixed in a very specific way. The barriers allowed the red, green, and blue light to be shown whilst also having them mix to create yellow, magenta, and cyan in certain locations. Finally in the center all of the light emitted mixed to create the visible white light.

Our lamps were Christmas tree lights which we rearranged. Originally all of the lamps were used, but later we adjusted the number to make the amount of emitted light about equal. The colors on the exterior of our box represent the exact color which shines on the interior of the same wall and help to light proof inside. The shape of the box represents a quartz prism used to fracture light and worked perfectly for our desired design.